Cargo Demo Site, Ukam Cors et Mello, 30YW, Opset, September 14 — October 22 ‘47
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Details (4)

RM


New Work
Root Mouthing
Frontmatter Kin

Previously
Music Gallery
Beverly Glenn-Copeland, Topanga Trio 
East End United Church
Toronto, Ontario, 2025

“Deconstructed Foley,” 2024”

“Black Gaze” (Visualizer), 2024

Museums as Systems
A Question of Love and Community Care
Studio Museum in Harlem, 2023

Care Manual: Dreaming Care into Being
5-week Experiential Learning Series
Dia Chelsea, 2022

Rootmouth is the avatar of Kamra Sadia Abdul-Hakim (b. 1992, Minneapolis), an Igbo trans American songwriter, artist residency founder and land steward living between the Catskills and the subarctic. Shaped by a life of travel, Kamra's figurative songcraft builds worlds out of shifting intimacies and grounds them in skin, soil and sun.

The sound leans on the ears and throat as an ancient technology for carrying sensation and intelligence across time. Orality is the method: working the interior, where the future is born before it is known. The practice treats the body as a biological tuning fork, making its sensory apparatus a channel of spiritship.

Kamra learned their first guitar chords in arts therapy and taught themselves to produce once they realized only they could make sounds true to their taste. Equal parts warmth and rigor, the songs are made to be felt and moved to, and they live where the natural world leaves its imprint on the physiology of a life.

Their debut EP, Verdant Banks (2021), was made with multi-instrumentalist and producer Alzena Bell in Bell's home studio. The full-length Shift Circuit (2024) followed: eleven songs co-produced with Lora-Faye Åshuvud, Alzena Bell, and Zoe Scruggs, with harp by Aviva Jaye and strings by Pance Pony and Rili Newman, mixed by Zubin Hensler and Carlos Hernandez. Kamra has tracked at Power Station, The Honey Jar, and The Outlier Inn. 

Their second album, Half Star, arrives in 2028. 

Kamra releases music on people | places | records.

CV
Commission
Instagram

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